What is the name of the cadence in which the roots of both V and I lie in the bass and the tonic is the highest sounding note of the last chord?

Prepare for the NBCT Music Exam with flashcards and multiple choice questions. Each question comes with hints and explanations. Ace your exam by mastering the essential concepts!

Multiple Choice

What is the name of the cadence in which the roots of both V and I lie in the bass and the tonic is the highest sounding note of the last chord?

Explanation:
This question tests knowledge of the strongest, final-sounding cadence: the perfect authentic cadence. It occurs when the harmony moves from V to I in root position, and the tonic is placed in the soprano on the final chord. When the bass holds the roots of both chords—root of V followed by root of I—and the last chord’s highest note is the tonic, you’ve met the defining conditions of a perfect authentic cadence: V to I, both chords in root position, with the tonic in the soprano. This combination creates the most conclusive, settled ending. If you think of the alternatives, a plain authentic cadence is just V to I, but may involve inversions or the soprano not landing on the tonic; a plagal cadence is IV to I; a deceptive cadence is V moving to vi. The given description aligns exactly with the strongest form of authentic cadence, hence the best answer.

This question tests knowledge of the strongest, final-sounding cadence: the perfect authentic cadence. It occurs when the harmony moves from V to I in root position, and the tonic is placed in the soprano on the final chord. When the bass holds the roots of both chords—root of V followed by root of I—and the last chord’s highest note is the tonic, you’ve met the defining conditions of a perfect authentic cadence: V to I, both chords in root position, with the tonic in the soprano. This combination creates the most conclusive, settled ending.

If you think of the alternatives, a plain authentic cadence is just V to I, but may involve inversions or the soprano not landing on the tonic; a plagal cadence is IV to I; a deceptive cadence is V moving to vi. The given description aligns exactly with the strongest form of authentic cadence, hence the best answer.

Subscribe

Get the latest from Passetra

You can unsubscribe at any time. Read our privacy policy